October 2006


Cricket and Humour07 Oct 2006 02:51 pm

I wanted to desperately start the day today with cricket. So, I had everything planned. I had mailed the captain of my team that I would be playing today’s 6.30AM match. At 6.16AM I woke up. My captain had sent mails saying he didn’t want his players to come later than 6:29:59 AM. By the time I found my pyjamas (cricket wala), T-shirt and shoes (did I tell you the last time I used them? I found a cozy family of spiders and their little web there. But not to worry I wore my socks (and they were washed yesterday (and I won’t start another stream of nested brackets because I will get confused though my readers are intelligent I know))) and arrived at the ground at 6.50AM.

My captain on seeing me with his eyes fixed on my paunch, “Well, err… ahem… we waited Adi. We waited for a long time”

Uh-oh, what does that mean? You have dropped me for coming late?

My captain continued, ” We waited waited and finally called up a few people to come in and play. But don’t worry we can fit you into the 14″

What??! What??! What??! I mean ‘What??!!’

I just said, “Ok”.

Ali was sitting next to my captain, “No probs Adi. No probs. No probs. No probs. Hey Rahul (my captain), enna da, only 5 of us are here. We can surely include him too. I don’t think we’ll ve a problem. No probs Adi”

No probs yeah! No play, no probs!

I was just loitering around the pitch where a few people were generally fighting with the bat and a few with the ball and pretending to practice for the match. Our team players slowly started trickling in. And in five minutes, we were on. The match had started.

Someone from the bowling (opposition team, we had supposedly won the toss that I missed being a witness to by virtue of my punctual nature) team shouted “Leg umpire yaar da? Leg umpire? ”

Since I was feeling uncomfortable that I will be dropped and might have to sit with my team with a long face, I ran to be the leg umpire. Also, in our side of the country, leg umpires get to bat as soon as there is a fallen wicket!

Match began. After first over, we were 0 for 2. The bowler didn’t seem very penetrative or anything, but both my team batsmen were clean bowled and made the bowler look like Mohammed Asif (the Pak bowler who gets Tendulkar everytime and is right now nursing some injury and is out of the Champions trophy). My captain still didn’t call for me. For the uninitiated (which means everyone!), I am more of a batsman than of a bowler because I don’t like rotating my arms like mad!

Second over up, we were 3 for 5. This bowler who looks like a bonsai version of Adnan Sami (Ok, that means he is still huge, anyways let’s continue with my nonsense and oh yeah if you don’t know who he is then that simply means you are heavily outdated with your information system on Bollywood) and bowls slower than Venkatapathy Raju (he was chosen as a National Selector from the South Zone and was talking about reviving spin bowling in India. Kumble and Harbhajan are probably the best ever that India has produced. What’s he talking about anyway?). But here it was the pitch that was telling us that “You have stamped me enough number of times, now see what I do to your batsmen”. One guy was bowled off a ball that just never got up after bouncing and another guy was caught unaware by a ball that pitched at the same spot as the fomer but rose like a Brett Lee perfume ball and hit his bat and flew high into the air where even an airhostess would have caught it (Ok. Where’s Sidhu btw? Not to be seen on any news channel. Did he murder another guy now for not giving him enough lassi?)

Still no call from my captain. I was doing my job and wanted to walk off the field saying that Rahul forfeited the match by not making his star batsman turn up on his field. Ok, I know I am going by the recent happenings, but then I haven’t had a hair-cut in a long time! For those of you wondering where that came from, refer my previous posts. Good way of increasing your “Hits” counter, right?! ;)

After the third over, we were still something for 5. That was because Ali had taken guard and was seriously guarding the stumps with all he had. He even got hit on his hamstring muscle (Go find out where that muscle is which most of our cricketers seem to be pulling! VVS Laxman recently pulled it and with that pulled out all chances of his getting back into the ODI team). Ali could have taken guard leaving the bat with me if you ask me. But he hit two beautiful shots worth million dollars. If only he could play like that more often. Oh my, that means I don’t get to bat if he continues to play like that.

During the fourth over, there was a ball that rose from the pitch as if it was one of those balls from the Sony Mobile phone ad and hit Ali’s bat which was close to 2 feet above his head (I don’t know why he took the bat there for that delivery, whereas he could have just stood as he was doing for all the previous deliveries and he would have survived) and flew to the first slip (the one who stands next to the wicket keeper (the one wearing all those funky gear and sitting like you would see people sitting on a railway track early in the mornings) and is positioned like he is catching the droppings from a cow). They caught the dropping err… ball and appealed. I mean what were they appealing for?! He was out! He should have walked (Like Tendulkar who walks even when he is not out). I didn’t signal anything because I was sleeping through the proceedings. And was having a sheepish grin on my face when they all came towards me with frantic appeals. Ali was walking. Ok, he is Tendulkar. Leave me alone. My captain was at the other end, he just shouted at Ali saying, “No ball ra athu. Adi it is a noball da” Then the opposition procession proceeded towards Rahul. Rahul said, “Leg umpire sollittrikkan paarunga” By then, I woke up and said, “It’s a noball” Something told me that it was going to be my turn to bat next and hence I should rule this as an okay ball and get going with my batting dreams. Yes, I am a devil. Main batting ke liye kuch bhi kar sakta hun!

The opposition captain who was the fielder in the first slip who had taken the catch knew that it was a no-ball, but he kept on insisting. He was showing both his hands near his chest holding an imaginary bat indicating that the ball was chest-high and was not high enough to be deemed a noball. After a little argument, Ali said, “Sari da. Vidunga da. Noball ille da” and walked off the pitch.

Then Rahul said, “Adi come in. We have 16 more overs to bat. Bat slowly and steadily. Just stand there and runs will come”

Why do you need a batsman as worthy as I am for the task then, I thought!

I defended my first delivery of the innings beautifully. I never spotted the ball. Did the ball go through the off-side or the leg-side? I had no clue. By the time I came out of the yogic pose I had landed into attempting to defend the ball (I had decided at 6.50AM that I was going to defend the first ball I faced today) the keeper had thrown the ball to the bowler and he was back at the beginning of his run-up for his final delivery of the over. By the way, do you know the Golden Rule in cricket? Last ball of every over, if you are on strike, take a single or three-runs. So that you get to face the first ball of the next over too. Ab dekho bhai, itna to exercise karna padega. Muft main batting koi nahin deta is duniya main!

As the bowler ran into the bowl the significant delivery I was in two minds whether to run or to hit and in the dilemma, I missed (Did I hear someone say as usual?) the ball. Thankfully the aim of the bowler was slightly bad. He missed the stumps by a few centimetres. I wanted to go and hug him for having allowed to me to stay on.

Next over, first ball, my captain – Rahul – took a brisk single. Please note: He was brisk. It was a big risk for me. I tried hard to run. Succeeded by the grace of the fielder who was also probably wondering whether we will make enough runs for him to get to bat when his turn comes. So, wanting to bat, he allowed me to reach the crease safely.

This was my third delivery of the day and I was supposed to be seeing the ball better. And I can tell you that I didn’t know whether the ball was green or yellow or brown in colour because I am colour blind. Please don’t read it as a reason that I am giving for whatever happened the next ball. I am really colour blind, ask my wife if you want. She will happily vouch for it! Anywas, the ball was delivered and I played my most stylish defense shot ever and the ball actually touched the bat. That sound of timber hitting the ball is so sweet. Hey wait! Did I hear another sound similar to this one?! But I didn’t hit the ball twice, so what was that? Huh? Why are the keeper and bowler rejoicing? Why is my captain calling out to Krishna to come in?

The commentary on TV (where it would be telecasted) would have been somewhat like this, “Another day in the glowing career of Cracker Ducker Adi. Another brilliant three-ball innings. He doesn’t waste much time at the crease. Gets going the moment he comes. Fortunate for his team that he didn’t stay for long at the crease. They will field for a much shorter time now”

We were bundled out for 21. The opposition team made 22 runs by the time I could take my position at long-off (where I actually held onto a catch, but it was from the adjoining pitch. There are generally multiple matches happening on the same ground).

After the match I ran home as I was getting late for office. Yes, we work on Saturdays. And any of you asks me that again, I will … I don’t know what I will do! So, you better not put me into such thinking positions!

My wife, “Adi, so you are back. Take bath carefully today atleast. Apply shampoo to your hair and some soap to your body please. Don’t come out within 5 minutes like every other day! Okay?!”

Me says, “Ok” while shaving.

Then I go and take the bath of the year because it’s my bath day today err… birthday!

Film Reviews and Mysore06 Oct 2006 11:05 am

(Photo Courtesy: E-paper of The Hindu)
This review has a striking similarity with mine! I take it as a compliment that my review was on the same lines as this one. Thanks Mr. Sudhish Kamath! ;)
—————

(Photo Courtesy: E-paper of The Hindu)

Well, yet another problem. Looks like the government has something else against the corridor. Not enough windows (of opportunity to make money) I guess!

Film Reviews04 Oct 2006 02:06 pm


Hyderabad Blues (Part I, it was only one part when it was released) was a classic as far as I am concerned. It epitomizes the quintessential Hyderabadi life. And I still remember the catchphrase “Dil pe mat le yaar, haath main le“. Any Hyderabadi worth his salt will go ROFL (Rolling on the Floor Laughing) throughout the movie. Nagesh Kukunoor had arrived. With his first movie itself he made a statement, “I can make a good movie” that buffs like me classified as classic.

Then came Rockford. A story of a young boy in a boarding school. Though it was cooked a bit raw, it was a good movie to watch. Had excellent music by Shankar-Ehsaan-Loy who were still finding a place in the industry then. The song “Yaaron” is particularly memorable. The movie was good and Nagesh was very much on the radar of those who were on the lookout for good movie makers.

With Bollywood Calling, Nagesh got his first taste of dealing with big actors like Om Puri. Om Puri as the typical Indian film producer (and director as and when required!) was so good that his dialogues became stuff that legends are made of. “Humbility?!” is one such example! The male ego domination in the film industry was brought out very well by bringing in a terminally-ill actor from the UK and making him act as second fiddle to the superstar in a hindi film. It was clear that with this movie, big names were willing to bet on Nagesh. But it was unclear how he would achieve anything close to a commercial hit.

3 Deewarein was a story that caught everyone’s fascination and also won Nagesh a filmfare award. Juhi Chawla, who was on a break from acting, made an exception to this film because it was scripted so well. Jackie Shroff and Naseeruddin Shah, with their immense screen presence and acting abilities, also joined the bandwagon. After doing minute roles in the last few movies, Nagesh took up the role of the third prisoner convicted for murdering his wife in cold blood. Jackie Shroff was also in jail for the same reason. While Naseeruddin Shah was in for a bank robbery. Juhi poses as a documentary-maker and unravels the unseen mystery. A story par excellence. A director par brillance. With 3 Deewarein, Nagesh made heads turn.

Even the showman Subash Ghai turned his entire self and invited Nagesh to make a movie for him. And “Iqbal” turned out to be the best-ever movie of a fantasy story. A deaf and dumb boy makes it to the Indian cricket team. Naseeruddin Shah, yet again, reigns supreme. Also, a pair of young talent was discovered in the form of Shreyas Talpade who plays the main protagonist and Shweta Prasad who plays the sister of the main protagonist. The interaction between Shweta and Naseer is one of the most entertaining parts of the movie. The movie is a sixer! Nagesh Kukunoor made movies of rare value.

There was a forgettable “Hyderabad Blues 2″ released sometime before “Iqbal“. Neither was it as tightly-woven as the prequel nor as hillarious. It was the only film that Nagesh made, that didn’t quite do well by his standards of the ‘small film’ genre.

Nagesh made good films of rare value and made heads turn, but his films were always slotted in the ‘small film’ genre. Nagesh had carefully walked the line between commercial (& big) and sensible (& small) films. His films got the commercial success, recognition and reviews of big films while they contained the sensibilities, story and script of small films. He is in a class of his own. His movies make the claps and whistles go off involuntarily at the same time provoking thought on the kind of world we are in. A rare ability to have in this country where emotions and melodrama rule the roost. Nagesh brings in subtlety without losing out on the emotions. He cuts out the melodrama while retaining the impact he wants to create. Sometimes, he has more impact than any other film-maker.

“Dor” sees Nagesh breaking a few moulds. The mould of city-bred scripts barring Iqbal“. He treads new geographies and builds on emotions of love and friendship. The setting that he brings in “Dor” is wonderful. The story as always is simple but with intricate relationships and emotions with the subtlety that we have now come to identify as Nagesh’s trademark. No big stars, no smashing of mirrors and dancing to trendy songs wearing costly costumes. He delivers like only he can. The brilliant juxtaposition of the two contrasting stories with corresponding backgrounds makes for rivetting cinema.

Aamir Khan and Shankar Singh leave for Saudi Arabia from Himachal Pradesh and Rajasthan (respectively) leaving behind their wives Zeenat (Gul Panag) and Meera Singh (Ayesha Thakia) respectively. After around six months, news arrives that Shankar Singh is killed and Aamir Khan has been convicted for his murder as he was the only one at the site of the death. And will be hanged to death at Saudi. The only way that Aamir Khan can be saved from this is: Getting a “maafinaama” (Letter of forgiveness) from the wife of the slain saying that she forgives the muderer of her husband. And the only thing that the MEA official (who comes to convey the news to Zeenat) knows about the family of Shankar Singh is that they live in Rajasthan. Determined to free her husband from the jaws of death, she sets out on a (wild goose search-like) search to look for Shankar Singh’s wife. The only thing she has with her is a photo of Shankar Singh and her husband together in their apartment in Saudi. Will Zeenat be able to find Meera? Will Meera sign on the “maafinama” if found? Will it be quick enough to save Aamir Khan? Watch this rare emotional masterpiece from Nagesh Kukunoor to find out.

Nagesh has reached new heights with this movie. Handling emotions with such subtlety that only he can, he has carefully crafted a lovely tale. Taking the green Himachal Pradesh as the metaphorical background for the principled, confident and strong Zeenat (Gul Panag) while chosing the barren Rajasthan as the setting for the sober, subdued and suppressed Meera (Ayesha Thakia) is in itself a brilliant choice. But the beauty of both the regions is brought out brilliantly through the camerawork (Sudeep Chatterjee of Iqbal fame). Of course, there are a few loopholes which is very unlike Nagesh, but those loopholes are what I would consider as ‘cinematic liberty’. Why should the MEA officer come to Zeenat’s house whereas it was Meera who had lost her husband? And how would the MEA not know the address of someone who has a passport good enough to transport him abroad? With this movie, I have come to rank Nagesh Kukunoor alongside the best ever movie-makers in India. Hats off to you Sir!

Ayesha Thakia as Meera, the widow, essays the role of a young widow suppressed by the hopelessly traditional agnivamshi Rajputs who are almost Sati-supporters. They are just one level above the Sati-supporters. As long as her husband is earning money abroad and sending it back home, she is treated well. The minute her husband is dead, she is made the cause. This is probably Ayesha’s first noticeable movie after an okie-dokie “Socha Na Tha” and that Abbas-Mustan’s super-car flick. And she also did “Home Delivery” (Poor girl! Must be licking her wounds now!) Her acting prowess is what is shown in the movie and everything else is kept under cover (literally!). The innocence of the young widow is brought out very well by Ayesha. The new-found independence by interacting with Zeenat and the dance to “Kajra Re”. The involuntary ‘lip-sync’ing to the dialogues of the movies she loves watching. (By the way, which theatre in the world still screens “Hero”? huh? That Jackie-shroff debut one!) The intensity in her eyes when Zeenat tells her about the truth. She is amazing all the way.

Gul Panag would have been named the surprise package of the movie if not for another performer about whom I will reserve my comments so that I can write at the end. She comes across as a good actor. Gul Panag gets into the skin of the character very well. Her search is what the movie is all about. This role would have done a Smita Patil or a Shabana Azmi proud.

The surprise package is Shreyas Talpade and his hillarious takes on almost every actor of Bollywood. He comes in as the “beharoopia” (now, what’s that in English? I don’t know) who entertains people and also tricks them while making money out of it either by stealing or by way of reward. He helps Zeenat through to Meera and is the crucial link in the movie. And what an amazing talent he has got! Shreyas Talpade is the discovery of this year. It was unfortunate that his debut role was of a deaf and dumb guy. And when he was given the opportunity to speak, he showed us what mettle he is made of. An actor of rare calibre. In fact, when he speaks first, I almost thought somebody dubbed for him because I was still under the Iqbal effect!

Overall, a must-watch movie. Can watch with family and friends and anyone else you would want to treat to a good time. This is turning out to be a great year for Hindi cinema. Rang De Basanti, Lage Raho Munnabhai and now Dor. All Oscar winners – if only the Americans knew what Hindi cinema was all about!

My Rating: ****

Legend:
*Stay at home
**If you have the time to kill, go ahead, but not recommended
***Watch if you are a film buff!
****Go watch it on the big screen!
*****Don’t miss watching this one on the big screen! Avoid piracy!

Mysore01 Oct 2006 07:40 pm

Today’s The Hindu supplement “Magazine” carries an article on the changing face of Mysore. With the IT boom slowly touching Mysore, the negatives that it brings with it are what is most scary for a city like Mysore. Sometimes, it’s the space that you find in Mysore that makes you love it. And sometimes it’s the warmth of the place.

In the article, the author refers to Bangalore and writes:

“The new money power of IT professionals in Silicon Valley has benefited
landlords who charge astronomical rents for cramped premises in sought-after
localities. It has also impacted lifestyles, pushing the demand for luxury goods
and services to unprecedented heights. The effect on the cultural and social
values of this one-time pensioners’ paradise has been devastating. Now it is IT
that is driving the real estate boom in Mysore”

This is what scares me. I have noticed the per sq. ft. prices rising astronomically. It has almost doubled. It is visible. The charm of Mysore lies in students getting free accommodation in homes to complete their studies and having that gratitude forever in their hearts. If not free, they don’t fleece you atleast like they do in Bangalore atleast. I studied in Mysore not very long ago and I don’t remember spending more than Rs. 2000/- per month for everything including rent, food, books and travel. I lived a good life mind you! And the Ajji with whom I stayed during my graduation came for my wedding, blessed me and went back very happily. I owe whatever I am today to her also after my parents. If you take away such Ajjis houses and build apartment complexes or malls in those places, then many budding engineers/ students will lose a place to stay and cherish forever.

That doesn’t mean I am against development. And I quote from the article again which rightly takes into account fears of sentimental idiots like me:

“…Fortunately, with the Heritage tag, help has been forthcoming from the
Centre. Mysore is one of the nine cities awaiting the implementation of the
Jawaharlal Nehru National Urban Renewal Mission. Also a cause for cheer is the
Urban Development Ministry’s proposal to build a 2,000-acre IT township in
Mysore.”

Now, that’s something to cheer about. I really hope that they implement that IT township and keep the IT boom insulated from the ‘heritage’ city. I hope the IT boom doesn’t blast my city away!

And the article ends with a pondering note. Will it or will it not kind of a thing. The last statement leaves me with nothing to say! Well said June Gaur!

“…the question now being asked here is will development and a higher rate
of growth mean a better quality of life for all or will it result in bizarre
income disparities and a deteriorating quality of life? In these times of
transition, Mysore looks forward to a future where openness to change is matched
by a rooted continuity.”

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